(in my)* forthcoming Reformation or Restoration reconsider* a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey elsewhere I have*
(louder, cooler paper with musical examples in next room plainly audible) ♭6 ref to election Dahlhaus genius
opera (comique, seria or Gran' ol') the Other FREE SQUARE ontology or meaning* Wissenschaft
borrowing mere anything voice editorial* (re)-anything
anonymous palimpsest hermeneutics* (has a powerpoint problem) (more than 20 second passage in a modern foreign language)
isorhythm Gesamt- kunstwerk ethno- musicology McClary the New Musicology
problematize fugue, passacaglia, or canon Dahlhaus mis-en-page pastoral(e)
(more than 20 second passage in a modern foreign language) embodiment* FREE SQUARE Mozart (reads footnote including publisher info)
hip-hop or rap string quartet (in my)* forthcoming analysis mode
torture or censorship signify* the Other Wissenschaft Adorno

Musicology Buzzword Bingo, 2008 Edition

Dahlhaus hermeneutics* time does not permit* torture or censorship (has a powerpoint problem)
signify* editorial* fugue, passacaglia, or canon (mis)-anything ethno- musicology
liminal* exchange FREE SQUARE film music provisional or work in progress
context (goes to piano) embodiment* mis-en-page (makes quotation marks with hands)
audio problem process audience sketches* gender
suspended problematize process body micro or macro
(reads footnote including publisher info) mode audience masturbate* pastoral(e)
voice (more than 20 second passage in a modern foreign language) FREE SQUARE context embodiment*
liminal* feminist* patron or patronage* Medial caesura (or lunch) sketches*
(more than 15 second passage in Latin or Greek) ♭6 film music (mis)-anything borrowing
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC