(re)-anything editorial* problematic the New Musicology Rousseau
Wagner (makes quotation marks with hands) (more than 15 second passage in Latin or Greek) mere anything Q: "I really loved your paper"* then trashes it
genius film music FREE SQUARE patron or patronage* (in my)* forthcoming
ref to election palimpsest blues any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" opera (comique, seria or Gran' ol')
not unlikely or not impossible analysis problematize Reformation or Restoration previous scholars*
not unlikely or not impossible feminist* masterwork problematic embodiment*
(louder, cooler paper with musical examples in next room plainly audible) a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey ethno- musicology Adorno ♭6
the New Musicology McClary FREE SQUARE Beethoven audience
mis-en-page Medial caesura (or lunch) borrowing gender Mozart
provisional or work in progress previous scholars* hermeneutics* Gesamt- kunstwerk (more than 15 second passage in Latin or Greek)

Musicology Buzzword Bingo, 2008 Edition

(reads footnote including publisher info) film music micro or macro Medial caesura (or lunch) masterwork
patron or patronage* watermark string quartet Adorno voice
(more than 15 second passage in Latin or Greek) analysis FREE SQUARE signify* any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
ref to election torture or censorship process blues hermeneutics*
sketches* (mis)-anything (has a powerpoint problem) context fugue, passacaglia, or canon
other member of panel obviously bored, asleep, or not paying attention fugue, passacaglia, or canon jazz suspension any PoMo term used ironically or made fun of
Elvis opera (comique, seria or Gran' ol') (has a powerpoint problem) Adorno Q: "I really loved your paper"* then trashes it
mode Gesamt- kunstwerk FREE SQUARE the Other suspended
(louder, cooler paper with musical examples in next room plainly audible) Medial caesura (or lunch) previous scholars* (more than 15 second passage in Latin or Greek) name of any female composer
not unlikely or not impossible ♭6 the New Musicology editorial* motet
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC