anonymous
|
time does not permit*
|
(has a powerpoint problem)
|
fugue, passacaglia, or canon
|
(more than 20 second passage in a modern foreign language)
|
Beethoven
|
mis-en-page
|
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
|
blues
|
McClary
|
body
|
mode
|
FREE SQUARE |
signify*
|
name of any female composer
|
Rousseau
|
(re)-anything
|
Mozart
|
ideology*
|
problematize
|
hip-hop or rap
|
reconsider*
|
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
|
(goes to piano)
|
voice
|
|
|
process
|
patron or patronage*
|
suspension
|
editorial*
|
suspended
|
voice
|
modernity*
|
McClary
|
ref to election
|
analysis
|
(in my)* forthcoming
|
♭6
|
FREE SQUARE |
(re)-anything
|
context
|
metonymy
|
borrowing
|
sketches*
|
mode
|
ontology or meaning*
|
poetry
|
Q: "I really loved your paper"* then trashes it
|
ethno- musicology
|
Wagner
|
prolon- gation, Urline, or 5-line
|
|
|
Musicology Buzzword Bingo, 2008 Edition |
voice
|
jazz
|
(reads footnote including publisher info)
|
feminist*
|
ontology or meaning*
|
ref to election
|
modernity*
|
suspended
|
other member of panel obviously bored, asleep, or not paying attention
|
(re)-anything
|
problematic
|
Elvis
|
FREE SQUARE |
borrowing
|
isorhythm
|
Q: "I really loved your paper"* then trashes it
|
palimpsest
|
(louder, cooler paper with musical examples in next room plainly audible)
|
string quartet
|
audience
|
body
|
analysis
|
prolon- gation, Urline, or 5-line
|
suspension
|
gender
|
|
|
string quartet
|
(louder, cooler paper with musical examples in next room plainly audible)
|
(goes to piano)
|
masterwork
|
embodiment*
|
suspension
|
signify*
|
(makes quotation marks with hands)
|
not unlikely or not impossible
|
gender
|
(has a powerpoint problem)
|
Elvis
|
FREE SQUARE |
poetry
|
Wagner
|
context
|
editorial*
|
motet
|
♭6
|
any PoMo term used ironically or made fun of
|
anonymous
|
Reformation or Restoration
|
name of any female composer
|
process
|
ref to election
|
|
|