body exchange genius context palimpsest
other member of panel obviously bored, asleep, or not paying attention problematic audio problem (makes quotation marks with hands) not unlikely or not impossible
pastoral(e) Wissenschaft FREE SQUARE name of any female composer prolon- gation, Urline, or 5-line
hip-hop or rap mis-en-page metonymy McClary any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
Rousseau any PoMo term used ironically or made fun of Q: "I really loved your paper"* then trashes it gender micro or macro
time does not permit* process fugue, passacaglia, or canon masturbate* string quartet
exchange ethno- musicology body poetry ♭6
(in my)* forthcoming (mis)-anything FREE SQUARE editorial* mere anything
Rousseau other member of panel obviously bored, asleep, or not paying attention palimpsest genius Reformation or Restoration
watermark problematize the New Musicology micro or macro ref to election

Musicology Buzzword Bingo, 2008 Edition

name of any female composer Rousseau process isorhythm ontology or meaning*
modernity* Wissenschaft Reformation or Restoration (goes to piano) masturbate*
provisional or work in progress any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" FREE SQUARE fugue, passacaglia, or canon (re)-anything
McClary genius embodiment* patron or patronage* context
poetry feminist* jazz watermark Mozart
exchange film music other member of panel obviously bored, asleep, or not paying attention borrowing (makes quotation marks with hands)
problematic Elvis (mis)-anything Wissenschaft ♪♩♪ or other syncopated rhythm sung
anonymous a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey FREE SQUARE Mozart mis-en-page
suspension the New Musicology Wagner not unlikely or not impossible masturbate*
watermark micro or macro palimpsest Gesamt- kunstwerk reconsider*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC