blues Q: "I really loved your paper"* then trashes it ontology or meaning* microfilm* name of any female composer
McClary exchange Dahlhaus Reformation or Restoration editorial*
liminal* masterwork FREE SQUARE the New Musicology mis-en-page
the Other Wagner prolon- gation, Urline, or 5-line Gesamt- kunstwerk suspension
Medial caesura (or lunch) torture or censorship (reads footnote including publisher info) micro or macro context
poetry Adorno prolon- gation, Urline, or 5-line name of any female composer modernity*
suspended jazz patron or patronage* (louder, cooler paper with musical examples in next room plainly audible) a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
(makes quotation marks with hands) time does not permit* FREE SQUARE embodiment* gender
editorial* analysis (reads footnote including publisher info) (mis)-anything problematize
ontology or meaning* body sketches* process Gesamt- kunstwerk

Musicology Buzzword Bingo, 2008 Edition

micro or macro Medial caesura (or lunch) sketches* torture or censorship name of any female composer
not unlikely or not impossible any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" (reads footnote including publisher info) poetry editorial*
hermeneutics* (re)-anything FREE SQUARE exchange problematize
analysis the New Musicology feminist* audience any PoMo term used ironically or made fun of
mis-en-page ontology or meaning* voice string quartet audio problem
analysis watermark string quartet Elvis time does not permit*
blues Reformation or Restoration masturbate* isorhythm McClary
patron or patronage* (more than 20 second passage in a modern foreign language) FREE SQUARE audio problem fugue, passacaglia, or canon
(in my)* forthcoming body other member of panel obviously bored, asleep, or not paying attention (reads footnote including publisher info) motet
the New Musicology editorial* exchange mode Medial caesura (or lunch)
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC