(goes to piano)
|
Gesamt- kunstwerk
|
the New Musicology
|
other member of panel obviously bored, asleep, or not paying attention
|
(re)-anything
|
mere anything
|
problematize
|
(more than 15 second passage in Latin or Greek)
|
modernity*
|
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
|
Wagner
|
feminist*
|
FREE SQUARE |
(makes quotation marks with hands)
|
micro or macro
|
reconsider*
|
genius
|
voice
|
the Other
|
(in my)* forthcoming
|
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
|
analysis
|
Wissenschaft
|
poetry
|
isorhythm
|
|
|
McClary
|
poetry
|
Dahlhaus
|
suspension
|
embodiment*
|
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
|
jazz
|
time does not permit*
|
modernity*
|
suspended
|
audio problem
|
blues
|
FREE SQUARE |
not unlikely or not impossible
|
process
|
hip-hop or rap
|
micro or macro
|
exchange
|
Q: "I really loved your paper"* then trashes it
|
feminist*
|
(more than 20 second passage in a modern foreign language)
|
ethno- musicology
|
voice
|
mis-en-page
|
body
|
|
|
editorial*
|
masterwork
|
micro or macro
|
Rousseau
|
suspension
|
process
|
voice
|
Wissenschaft
|
Adorno
|
modernity*
|
Beethoven
|
Elvis
|
FREE SQUARE |
(has a powerpoint problem)
|
audience
|
other member of panel obviously bored, asleep, or not paying attention
|
mere anything
|
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
|
previous scholars*
|
reconsider*
|
problematize
|
Wagner
|
mis-en-page
|
palimpsest
|
(mis)-anything
|
|
|
(makes quotation marks with hands)
|
liminal*
|
hermeneutics*
|
not unlikely or not impossible
|
suspension
|
suspended
|
Elvis
|
♪♩♪ or other syncopated rhythm sung
|
audience
|
audio problem
|
ontology or meaning*
|
voice
|
FREE SQUARE |
Wissenschaft
|
blues
|
mode
|
poetry
|
modernity*
|
Medial caesura (or lunch)
|
Gesamt- kunstwerk
|
(more than 15 second passage in Latin or Greek)
|
context
|
isorhythm
|
process
|
body
|
|
|