(reads footnote including publisher info) Adorno ♭6 the Other ♪♩♪ or other syncopated rhythm sung
Rousseau (louder, cooler paper with musical examples in next room plainly audible) blues watermark McClary
string quartet reconsider* FREE SQUARE a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
process (goes to piano) hermeneutics* micro or macro hip-hop or rap
Q: "I really loved your paper"* then trashes it voice Medial caesura (or lunch) gender patron or patronage*
♪♩♪ or other syncopated rhythm sung ref to election pastoral(e) string quartet Beethoven
borrowing genius poetry prolon- gation, Urline, or 5-line hermeneutics*
provisional or work in progress Dahlhaus FREE SQUARE audio problem fugue, passacaglia, or canon
other member of panel obviously bored, asleep, or not paying attention film music opera (comique, seria or Gran' ol') Q: "I really loved your paper"* then trashes it Reformation or Restoration
Elvis micro or macro gender (makes quotation marks with hands) sketches*

Musicology Buzzword Bingo, 2008 Edition

(louder, cooler paper with musical examples in next room plainly audible) a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey not unlikely or not impossible the New Musicology jazz
Wagner problematic gender poetry opera (comique, seria or Gran' ol')
micro or macro genius FREE SQUARE (in my)* forthcoming Harvard, Yale, or Princeton
problematize fugue, passacaglia, or canon Reformation or Restoration borrowing time does not permit*
ref to election analysis (more than 20 second passage in a modern foreign language) (re)-anything elsewhere I have*
gender Q: "I really loved your paper"* then trashes it McClary exchange Gesamt- kunstwerk
(louder, cooler paper with musical examples in next room plainly audible) process palimpsest metonymy masterwork
ethno- musicology context FREE SQUARE audio problem other member of panel obviously bored, asleep, or not paying attention
suspended Mozart (has a powerpoint problem) mode Dahlhaus
signify* watermark (re)-anything mis-en-page body
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC