ideology* Wissenschaft Elvis time does not permit* Harvard, Yale, or Princeton
Medial caesura (or lunch) ref to election a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey motet Mozart
Reformation or Restoration prolon- gation, Urline, or 5-line FREE SQUARE (has a powerpoint problem) body
elsewhere I have* metonymy Q: "I really loved your paper"* then trashes it (reads footnote including publisher info) mere anything
other member of panel obviously bored, asleep, or not paying attention genius Beethoven (more than 15 second passage in Latin or Greek) sketches*
Medial caesura (or lunch) any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" ideology* ♭6 ontology or meaning*
exchange liminal* audio problem blues a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
string quartet Gesamt- kunstwerk FREE SQUARE Q: "I really loved your paper"* then trashes it context
body Wissenschaft mis-en-page anonymous masturbate*
gender masterwork analysis motet elsewhere I have*

Musicology Buzzword Bingo, 2008 Edition

borrowing audio problem provisional or work in progress suspension Gesamt- kunstwerk
opera (comique, seria or Gran' ol') elsewhere I have* voice (more than 15 second passage in Latin or Greek) the New Musicology
any PoMo term used ironically or made fun of anonymous FREE SQUARE problematize Elvis
modernity* microfilm* Dahlhaus mere anything (in my)* forthcoming
not unlikely or not impossible gender (makes quotation marks with hands) ♭6 feminist*
context ref to election string quartet (re)-anything feminist*
name of any female composer Harvard, Yale, or Princeton ideology* watermark gender
poetry any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" FREE SQUARE (mis)-anything (more than 15 second passage in Latin or Greek)
♪♩♪ or other syncopated rhythm sung Elvis problematic mis-en-page problematize
suspension isorhythm Q: "I really loved your paper"* then trashes it editorial* the New Musicology
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC