a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey (re)-anything body embodiment* Harvard, Yale, or Princeton
microfilm* (goes to piano) time does not permit* Dahlhaus isorhythm
ontology or meaning* film music FREE SQUARE (in my)* forthcoming McClary
voice masterwork modernity* elsewhere I have* prolon- gation, Urline, or 5-line
liminal* process problematic (makes quotation marks with hands) gender
Dahlhaus ♪♩♪ or other syncopated rhythm sung feminist* film music voice
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey ideology* analysis poetry prolon- gation, Urline, or 5-line
torture or censorship Elvis FREE SQUARE microfilm* the New Musicology
Harvard, Yale, or Princeton Wissenschaft embodiment* provisional or work in progress (re)-anything
body pastoral(e) liminal* reconsider* (in my)* forthcoming

Musicology Buzzword Bingo, 2008 Edition

microfilm* ♭6 patron or patronage* Gesamt- kunstwerk Wissenschaft
(goes to piano) editorial* McClary (reads footnote including publisher info) a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
prolon- gation, Urline, or 5-line opera (comique, seria or Gran' ol') FREE SQUARE poetry watermark
gender motet audience elsewhere I have* Dahlhaus
ref to election signify* Harvard, Yale, or Princeton masturbate* any PoMo term used ironically or made fun of
film music suspended Harvard, Yale, or Princeton mere anything microfilm*
micro or macro ideology* modernity* ♪♩♪ or other syncopated rhythm sung hermeneutics*
signify* (has a powerpoint problem) FREE SQUARE (re)-anything a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
reconsider* (more than 15 second passage in Latin or Greek) not unlikely or not impossible elsewhere I have* Reformation or Restoration
poetry prolon- gation, Urline, or 5-line the New Musicology audio problem patron or patronage*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC