suspension Beethoven name of any female composer mode audience
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" patron or patronage* gender palimpsest ideology*
anonymous feminist* FREE SQUARE elsewhere I have* (more than 15 second passage in Latin or Greek)
Rousseau motet (makes quotation marks with hands) sketches* isorhythm
torture or censorship process mere anything ref to election hermeneutics*
film music provisional or work in progress isorhythm any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" embodiment*
Wagner ♪♩♪ or other syncopated rhythm sung Q: "I really loved your paper"* then trashes it opera (comique, seria or Gran' ol') Wissenschaft
(more than 20 second passage in a modern foreign language) Rousseau FREE SQUARE sketches* the Other
name of any female composer Beethoven Reformation or Restoration reconsider* micro or macro
exchange microfilm* ethno- musicology suspension gender

Musicology Buzzword Bingo, 2008 Edition

ref to election palimpsest Elvis previous scholars* suspended
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey any PoMo term used ironically or made fun of Dahlhaus (more than 20 second passage in a modern foreign language) reconsider*
(more than 15 second passage in Latin or Greek) problematize FREE SQUARE ♭6 analysis
(goes to piano) hip-hop or rap (in my)* forthcoming sketches* other member of panel obviously bored, asleep, or not paying attention
body context prolon- gation, Urline, or 5-line liminal* (re)-anything
(in my)* forthcoming (more than 20 second passage in a modern foreign language) hip-hop or rap string quartet ideology*
prolon- gation, Urline, or 5-line (louder, cooler paper with musical examples in next room plainly audible) micro or macro (mis)-anything any PoMo term used ironically or made fun of
microfilm* Gesamt- kunstwerk FREE SQUARE mere anything Wissenschaft
provisional or work in progress anonymous audio problem (has a powerpoint problem) Mozart
Rousseau Medial caesura (or lunch) motet context blues
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC