(in my)* forthcoming gender problematic sketches* editorial*
signify* other member of panel obviously bored, asleep, or not paying attention reconsider* string quartet fugue, passacaglia, or canon
exchange embodiment* FREE SQUARE McClary elsewhere I have*
watermark Gesamt- kunstwerk ontology or meaning* Wissenschaft motet
blues analysis (louder, cooler paper with musical examples in next room plainly audible) film music Rousseau
modernity* Q: "I really loved your paper"* then trashes it Mozart Reformation or Restoration elsewhere I have*
(has a powerpoint problem) gender not unlikely or not impossible prolon- gation, Urline, or 5-line hip-hop or rap
analysis mode FREE SQUARE suspension embodiment*
mis-en-page Dahlhaus anonymous exchange borrowing
Adorno ref to election signify* Gesamt- kunstwerk mere anything

Musicology Buzzword Bingo, 2008 Edition

poetry film music any PoMo term used ironically or made fun of a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey name of any female composer
sketches* ontology or meaning* elsewhere I have* time does not permit* ♭6
watermark mis-en-page FREE SQUARE any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" Adorno
problematic (mis)-anything ideology* (has a powerpoint problem) prolon- gation, Urline, or 5-line
Q: "I really loved your paper"* then trashes it palimpsest pastoral(e) Harvard, Yale, or Princeton anonymous
patron or patronage* (mis)-anything masturbate* editorial* not unlikely or not impossible
♪♩♪ or other syncopated rhythm sung other member of panel obviously bored, asleep, or not paying attention anonymous Q: "I really loved your paper"* then trashes it Reformation or Restoration
hip-hop or rap torture or censorship FREE SQUARE pastoral(e) body
(goes to piano) borrowing any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" metonymy Rousseau
feminist* problematic masterwork ♭6 hermeneutics*
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC