| (in my)* forthcoming
|
Reformation or Restoration
|
reconsider*
|
a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
|
elsewhere I have*
|
| (louder, cooler paper with musical examples in next room plainly audible)
|
♭6
|
ref to election
|
Dahlhaus
|
genius
|
| opera (comique, seria or Gran' ol')
|
the Other
|
FREE SQUARE |
ontology or meaning*
|
Wissenschaft
|
| borrowing
|
mere anything
|
voice
|
editorial*
|
(re)-anything
|
| anonymous
|
palimpsest
|
hermeneutics*
|
(has a powerpoint problem)
|
(more than 20 second passage in a modern foreign language)
|
|
|
| isorhythm
|
Gesamt- kunstwerk
|
ethno- musicology
|
McClary
|
the New Musicology
|
| problematize
|
fugue, passacaglia, or canon
|
Dahlhaus
|
mis-en-page
|
pastoral(e)
|
| (more than 20 second passage in a modern foreign language)
|
embodiment*
|
FREE SQUARE |
Mozart
|
(reads footnote including publisher info)
|
| hip-hop or rap
|
string quartet
|
(in my)* forthcoming
|
analysis
|
mode
|
| torture or censorship
|
signify*
|
the Other
|
Wissenschaft
|
Adorno
|
|
|
| Dahlhaus
|
hermeneutics*
|
time does not permit*
|
torture or censorship
|
(has a powerpoint problem)
|
| signify*
|
editorial*
|
fugue, passacaglia, or canon
|
(mis)-anything
|
ethno- musicology
|
| liminal*
|
exchange
|
FREE SQUARE |
film music
|
provisional or work in progress
|
| context
|
(goes to piano)
|
embodiment*
|
mis-en-page
|
(makes quotation marks with hands)
|
| audio problem
|
process
|
audience
|
sketches*
|
gender
|
|
|
| suspended
|
problematize
|
process
|
body
|
micro or macro
|
| (reads footnote including publisher info)
|
mode
|
audience
|
masturbate*
|
pastoral(e)
|
| voice
|
(more than 20 second passage in a modern foreign language)
|
FREE SQUARE |
context
|
embodiment*
|
| liminal*
|
feminist*
|
patron or patronage*
|
Medial caesura (or lunch)
|
sketches*
|
| (more than 15 second passage in Latin or Greek)
|
♭6
|
film music
|
(mis)-anything
|
borrowing
|
|
|