poetry Reformation or Restoration McClary suspended borrowing
watermark editorial* Gesamt- kunstwerk Wagner ontology or meaning*
previous scholars* masturbate* FREE SQUARE Adorno modernity*
(re)-anything not unlikely or not impossible elsewhere I have* problematic film music
microfilm* Rousseau palimpsest suspension (mis)-anything
patron or patronage* Harvard, Yale, or Princeton hermeneutics* gender a question by any of (a) Taruskin, (b) Leofranc, or (c)Terrance Bailey
analysis string quartet any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" editorial* (more than 15 second passage in Latin or Greek)
mis-en-page audio problem FREE SQUARE (has a powerpoint problem) ♭6
watermark ref to election microfilm* micro or macro isorhythm
suspension torture or censorship modernity* ethno- musicology motet

Musicology Buzzword Bingo, 2008 Edition

feminist* Medial caesura (or lunch) modernity* poetry Harvard, Yale, or Princeton
process Adorno editorial* ♭6 any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances"
ethno- musicology (re)-anything FREE SQUARE Rousseau ♪♩♪ or other syncopated rhythm sung
other member of panel obviously bored, asleep, or not paying attention audio problem hip-hop or rap embodiment* Mozart
sketches* isorhythm problematic ontology or meaning* prolon- gation, Urline, or 5-line
poetry ref to election Mozart embodiment* (in my)* forthcoming
micro or macro (makes quotation marks with hands) the New Musicology anonymous watermark
ethno- musicology body FREE SQUARE Beethoven (re)-anything
any word not normally pluralized: e.g. "Musics," "Americas," "Renaissances" (mis)-anything blues process problematize
previous scholars* ideology* borrowing any PoMo term used ironically or made fun of Adorno
Rules: (1) You can play as many boards simultaneously as you want. (2) Each time a word (or gesture) is used, cross it off (it's more fun for later if you leave the under writing legible). (3) Any paper, or public AMS event (awards etc.) is fair game, or anything overheard spoken by someone you don't know. Lunches with friends, etc. are off limits. (4) The middle square is a free square. (5) The object is to get five in a row horizontally, vertically, or through one of the two main diagonals. (6) To win, you must say bingo at least loudly enough for people nearby to notice; record the time that you won at. (You may of course choose to wait until the end of the paper to say this, but someone might beat you by then). (7) Post your winning bingo board on the AMS annoucement board with your initials or a pseudonym, for all to see. Two comments: (1) Words marked with a * don't have to be used exactly. For instance 'liminal*' can be satisfied by 'liminality', 'liminalness', 'liminalousity', 'neo-pseudo-liminalitude' etc. (2) Yup, to get that one last word such as 'motet' or 'blues' you might actually have to go to a paper on a topic outside your normal comfort zone. Maybe this bingo game will do some good for musicology -- MSC